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Science Fiction_3114
2009 |
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Science Fiction_3113 (after Close Encounters of the Third Kind)
2008 |
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Left Hand of Darkness (after Ursula K Le Guin)
2008 |
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Entropology, Crystal Forest
2007 |
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Bellona Mirror 2005-
2007 |
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SCIENCE FICTION_3112 (after 2001: A Space Odyssey)
2007 |
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Founding of the City of Mahagonny (after Bertolt Brecht)
2007 |
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Crystal World (after J.G.Ballard)
2006 |
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Slamming the Front Door (after A Doll's House)
2005 |
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Bellona (after Samuel R. Delany)
2005 |
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Double Vision
2004 |
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Sonic Construction
2004 |
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Room with a View
2002 |
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Eyes Wide Open
2002 |
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!
2001 |
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Corner Piece - The Space Between Us
2000 |
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Another Room
2000 |
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I-You-Later-There
2000 |
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Double Room
1999 |
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Transparent Walls
1999 |
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Nothing but Space
1997 |
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Science Fiction_3114
2009
Sound installation, 28’, loop. Installation views; The Henry, Seattle, US and Raven Row, London, UK
Wall text, Raven Row by Alice Motard.
The multilayered sound installation Science Fiction_3114 was produced by manipulating the soundtracks of landmark science fiction films – Jean-Luc Godard’s Alphaville (1965), François Truffaut’s Fahrenheit 451 (1966), Andrei Tarkovsky’s Solaris (1972) and Stalker (1979), and Luc Besson’s The Fifth Element (1997). Ann Lislegaard sees these films as cultural manifestations of the ‘unknown’, and speculations of the future, which by now have become overly familiar. Lislegaard’s rearrangement subtly undermines their narratives, thus recovering some of the strangeness which once radiated from these futuristic scenarios.
Media:
Science_Fiction_3114_sound_clip (1.5Mb)
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